With the publication of my new book, Channeling Elvis: How Television Saved the King of Rock ‘n’ Roll (http://tinyurl.com/mhyaouz), I find
myself reflecting on the unique place he holds in American musical history. As his 80th birthday (January 8,
2015) approaches, we might recall that Presley lit the spark that ignited the
rock and roll revolution and he is as iconic as any twentieth century
entertainer. Elvis’ legion of fans seems to grow with the generations,
incorporating thousands born long after his death, and shows no sign of
diminishing. It is a fair guess that
Elvis is probably more popular throughout the world today than he was in his
lifetime – and he was incredibly popular.
I was there when Elvis first appeared on the national scene
in 1956 and have been a fan ever since. Although he didn't really
"invent" rock & roll, as some have claimed, he was quickly
identified with the new music and became its symbol. In rock’s formative years, when anyone used
the phrase "rock & roll," the image they identified with it was
Elvis Presley’s. Within months of his first TV appearance, he turned the bland 1940s
pop music of big band crooners on its ear and really shook things up – permanently.
While there was plenty of pulp vitriol aimed at him and his
music, the media could not ignore him and, once he began appearing on national
television, he was constantly in the spotlight. Everything he did became a
precedent for rock performers and every rock star since then owes something to
Elvis. Ed Sullivan ducked Elvis for most of 1956 and refused to book him on his
highly rated weekly TV show, which routinely featured the biggest names in show
business. When he finally gave in to the
Presley tidal wave, he booked him for three shows for the highest fee he’d ever
paid anyone, far more that he later paid the Beatles for an equal number of
appearances. His debut on Sullivan’s
show was a the most anticipated TV event of the year and scored record-setting
ratings. After that, Sullivan eagerly
booked every big rock act that came along, and those performers eagerly the
path to his stage that Elvis had blazed.
Every member of the Beatles acknowledged that their musical
interests changed after they saw and heard Elvis. John Lennon once said "Before
Elvis, there was nothing" and, when the Beatles actually met Elvis, Lennon
told the King that, if it weren't for him there could have been no Beatles.
Elvis also was a fountain that distilled all forms of
American music - gospel, country & western, R&B, and pop. He immersed
himself in all forms of music and it came out of him in a new hybrid, uniquely
American form. When he said "I don't sound like nobody," he wasn't
kidding. Someone like that does not come along often or have the kind of long-term
impact that Elvis did. He also formed a truly unique bond with his audience
that I don't think any other entertainer has ever matched. That bond is very
difficult to explain or even describe, but it's still there, long after the
King left the building for the last time.
I once made a similar effort to explain what made the Beatles so unique, which you can read here (http://abbeyrd.best.vwh.net/wiener.htm), but we should not forget the debt that music owes to Elvis.
I once made a similar effort to explain what made the Beatles so unique, which you can read here (http://abbeyrd.best.vwh.net/wiener.htm), but we should not forget the debt that music owes to Elvis.
Purchase Channeling Elvis here:
U.S.: http://tinyurl.com/mhyaouz
U.K.: http://tinyurl.com/kyolbnm
Author's Facebook Page: http://tinyurl.com/pofg47v
U.S.: http://tinyurl.com/mhyaouz
U.K.: http://tinyurl.com/kyolbnm
Author's Facebook Page: http://tinyurl.com/pofg47v
Author's Amazon Page: http://tinyurl.com/po638bd
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